FATA LA PARTE
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THE WORK
“Fata la parte” is a villancico with a popular condition with a double sense was composed by Juan del Encina. The central theme of the villancico is a wife’s infidelity and her tragic end, in spite of which, some funniness is thrown into relief through the burlesque and gossiping tone of the play.
This villancicos was known thanks to the Palace Song Book found out in 1870 in that time Library of the Royal Palace of Madrid and published by Francisco Asenjo Barbieri in 1890 in his Musical Song Book in the XV and XVI centuries.
It is writen in Italian but with a lot of words in Spanish. It was classified as “estrambote” in the “Tábula” of the Palace Song Book (P. S. B.), name which designed all the plays in a foreign language. Barbieri himself says on this matter: “I keep the same writing that this picaresque song with a mixed language, half spanish and half italian has.
THE VILLANCICO
The most used poetic-musical forms in the iberian song books of the
Renaissance are the villancico and the Song.
The term villancico (etymologically vilan + cico, little peasant
song) appears in Spain in the XV century designing a kind of poetry with a
rustic and popular style.
According to Juan del Encina, the distinction between villancico
and song was made attending to the number of verses which it showed at the
beginning of the poetry. It
was a Carol when the first strophe had two or three verses and a song when
it showed four or more.
In the “Tábula” which works as an index to the P. S. B.,
Encina’s songs are grouped according to the generic designation of
villancicos, being independent of the number of verses at their beginning.
The metric used is mostly the eight syllabled or of major
redondilla ones, although some villancicos also used the six syllabled or
of minor redondilla.
The external form shows two musical sections grouped according to
the diagram ABBA. In section
A, the chorus and the back are sung, in section B, each of the changes,
there are normally two changes with two verses in each.
Although we can also find other variations of this structure, like
the one of “Fata la parte”, in which a third section C is added
showing the diagram ABBCA. |
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BIOGRAPHY OF THE AUTHOR
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Juan de
Fermoselle called del Encina was born in 1469, it is supposed that he was
born in La Encina (Salamanca). He
cultivated either music or literature standing out as an erudite in the
Catholic Kings’ court. He
studies with Nebrija, who put the
Renaissance spirit in him, at Salamanca University, which he left to work
as a chapel master for the Second Duke of Alba, Don Álvarez de Toledo. From
the Duke of Alba’s patronage he passed to the Royal Court working as a
tutor of the Infante Juan. Because
of the death of the Infante he composed “La tragedia trovada” (1497)
which is perhaps his most inspired play. Later
he moves to Rome where he worked and received the favours of the Pope
Alejandro VI. In 1519, at the
age of 50, he become a priest and make a pilgrimage to Jerusalem where he
said his first mass. From 1523 on he lives in León of whose Cathedral he was the prior. He dies in that city in 1529, although some authors consider that it happened in 1530 and even in 1534 a some of them like Gil González Dávila thinks.
It must be standed out his fame as a musician, as well as a dramatist. Musically, he was recognized since the publication of Barbieri’s Song Book in the XV and XVI centuries in which he appears as the author of 68 compositions.
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BIBLIOGRAPHY
AUTORES VARIOS (1988): Enciclopedia Espasa. Madrid: Espasa-Calpe.
AUTORES VARIOS (1982) (2ª ed.): Nueva Enciclopedia Larousse. Barcelona: Planeta.
JONES, R.O. y LEE, C.R. (ed.) (1975): Juan del Encina. Poesía Lírica y Cancionero Musical. Madrid: Castalia.
MORAIS, M. (transc.) (1997): La obra musical de Juan del Encina. Salamanca: Diputación.
SOPEÑA, F. (1963) 3ª ed.: Historia de la Música. Madrid: E.P.E.S.A.
TEMPRANO, J. C. (ed.) (1983): Cancionero de las obras de Juan del Enzina. Madison, Wisconsin: Hispanic Seminary of Medieval Studies.
LINKS
Polifonistas del Siglo de Oro Castellano
Spanish Early Music Midi Files
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